Astory Co., Ltd.

Astory Co., Ltd.

KKRX:241840
1,948.00
KRW
-41.00
(-2.06%)
-520.81EPS
21.04BMarket Cap
Nov 12Next Earn
2014 Y
2015 Y
2016 Y
2017 Y
2018 Y
2019 Y
2020 Y
2021 Y
2022 Y
2023 Y
2024 Y
2025 Y
TTM
Revenue per Share
324,474.25
3,127.28
4,212.06
2,746.19
6,286.32
3,407.88
2,385.91
6,277.23
7,718.87
6,124.96
1,596.1
1,305.95
1,865.59
Basic EPS, GAAP
65,125.24
199
108
-334
314
-143
-797
1,816
440
529
-520
-788
-520.81
Free Cash Flow per Basic Share
82,426.23
40.28
-59.67
-383.83
85.62
-956.73
689.78
-3,532.59
3,015.99
-655.24
2,278.32
-291.75
-1,062.16
Dividend per Share
- -
- -
- -
- -
- -
- -
- -
- -
- -
- -
- -
- -
- -
Book Value per Share
440.59
618.37
861.68
1,137.31
1,380.4
4,143.26
3,357.68
5,138.81
6,302.38
6,723
6,183.98
5,333.57
5,159.36
Tangible Book Value per Share
431.29
618.37
861.68
1,137.31
1,261.53
4,143.26
3,357.38
5,134.14
6,299.57
6,720.79
6,154.44
5,280.56
5,132.23
Basic Weighted Avg Shares
- -
6
6
7
7
8
9
9
9
9
9
9
9
Sales/Revenue/Turnover
9,728
18,998
27,321
20,124
46,446
28,238
22,096
58,860
71,680
56,876
14,792
11,790
16,821
Operating Margin (%)
26.66
7.23
3.31
-13.63
2.55
-3.8
-6.24
11.81
12.04
12.3
-23.69
-61.73
-54.23
Depreciation Expense
8
12
14
22
3,455
1,353
285
401
569
728
725
739
742
Net Income, GAAP
1,952
1,209
701
-2,448
2,320
-1,185
-7,381
17,028
4,086
4,912
-4,819
-7,114
-4,696
Effective Tax Rate (%)
20.5
18.52
23.72
- -
- -
- -
- -
- -
- -
- -
- -
- -
- -
Profit Margin (%)
20.07
6.36
2.56
-12.16
4.99
-4.2
-33.4
28.93
5.7
8.64
-32.58
-60.34
-27.92
Working Capital
311
3,393
3,827
4,603
6,016
30,405
22,139
39,689
45,210
27,706
25,123
12,032
16,330
LT Debt
700
1,548
700
- -
1,050
27
119
10,077
7,818
1,008
610
363
128
Total Equity
4,081
5,727
7,981
10,534
12,785
38,608
30,713
47,702
58,505
62,405
56,463
48,066
46,497
Return on Invested Capital (%)
- -
13.38
8.14
- -
- -
- -
- -
- -
- -
- -
- -
- -
- -
Return on Capital (%)
- -
16.6
9.54
- -
- -
- -
- -
- -
- -
- -
- -
- -
- -
Return on Common Equity (%)
- -
24.65
10.22
-26.44
19.9
-4.61
-21.3
43.43
7.69
8.13
-8.11
-13.61
-9.45

Capital Structure

KRW

•

in mil. unless spec.
Dec'25
Mar'26
Jun'26
ST Debt
519
531
530
LT Borrowings
- -
- -
- -
LT Finance Leases
363
245
128
Preferred Equity and Hybrid Capital
- -
- -
- -
Shares Outstanding
9
9
9
Market Capitalization
64,707
47,944
21,043

Working Capital

KRW

•

in mil. unless spec.
Dec'25
Mar'26
Jun'26
Total Current Assets
19,681
23,687
20,185
Cash, Cash Equivalents & STI
7,307
9,275
2,995
Accounts Receivable, Net
1,681
3,530
1,872
Inventories
9,457
10,545
14,292
Total Current Liabilities
7,648
10,926
3,856
Payables & Accruals
- -
- -
- -
ST Debt
519
531
530
Deferred Revenue
- -
- -
- -

Growth Rates

KRW

•

in mil. unless spec.

(avg. rate of change)

10 years
5 years
1 year
Total Equity
33.45%
12.05%
-14.87%
Free Cash Flow
-277.21%
-296.86%
-112.47%
Net Income, GAAP
-85.13%
-107.39%
47.62%
Sales/Revenue/Turnover
16.06%
14.65%
-20.29%
Total Cash Common Dividend
- -
- -
- -

Quarterly Revenue

KRW

•

in mil. unless spec.

Year

Q1
Q2
Q3
Q4
FY
2024
11,643
1,353
1,340
456
14,792
2025
1,262
3,873
3,730
2,925
11,790
2026
6,710
3,457
- -
- -
- -

Quarterly Earnings Per Share

KRW

•

in mil. unless spec.

Year

Q1
Q2
Q3
Q4
FY
2024
162
-108
-189
-386.25
-520
2025
-113
-186
-64.63
-424.57
-788
2026
-109.03
77
- -
- -
- -

Quarterly Dividends Per Share

KRW

•

in mil. unless spec.

Year

Q1
Q2
Q3
Q4
FY
2024
- -
- -
- -
- -
- -
2025
- -
- -
- -
- -
- -
2026
- -
- -
- -
- -
- -

Company Description

CEO
Sang-Baek Lee
Full Time Employees
42
Sector
Consumer services
Industry
Movies/Entertainment
Address
Seoul South Korea
IPO Date
Jul 19, 2019
Business
Astory Co., Ltd. is a South Korea-based entertainment and media content production studio primarily engaged in the planning, development, production, distribution, and intellectual property monetization of television dramas, variety shows, and digital entertainment content. Founded in 2004 and headquartered in Seoul, South Korea, the company operates across the media and entertainment industry, serving domestic broadcast networks, regional telecommunications platforms, global over-the-top streaming services, and international distribution partners across the Asia-Pacific, North American, and European markets. The company offers a comprehensive portfolio of content and related media services, which includes: Scripted Television and Streaming Drama Production, developing and producing domestic broadcast and global original series such as Kingdom, Extraordinary Attorney Woo, Signal, Big Mouth, Jirisan, The Kidnapping Day, and Crash; Unscripted and Variety Show Production, producing localized entertainment franchises and sketch comedy programs, most notably Saturday Night Live Korea; Music and Audio Content, producing, mastering, and distributing original soundtracks and digital music records across streaming channels; Intellectual Property Commercialization and Ancillary Derivatives, licensing proprietary story formats, webtoon serializations, stage musical adaptations, video game integrations, and branded consumer merchandise; and Talent Management and Agency Services, operated through its subsidiary AIMC Co., Ltd., representing broadcast personalities, actors, comedians, and digital creators. In recent strategic developments, Astory has transitioned its core operational framework from a fee-for-service production model into an intellectual property holding studio that retains copyright ownership and secondary rights to maximize downstream monetization. The company has broadened its streaming alliances, securing multi-season production deals and direct distribution agreements with major platforms including Coupang Play, Netflix, and domestic network affiliates. Astory has continued expanding its content pipeline with new scripted releases, including the crime procedural series Crash and the high-profile development of Signal Season 2, while scaling international format sales and remake licensing agreements for its flagship intellectual properties across global markets. In addition, through its AIMC subsidiary, the company has consolidated its unscripted production and talent management roster, expanded webtoon adaptations of its drama portfolio, and initiated cross-platform digital content expansions.